Censorship: Part Two

“There are worse crimes than burning books. One of them is not reading them.” —Ray Bradbury

There are authors, such as Ray Bradbury and J. D. Salinger, whose novels have been assigned in schools across the nation for decades. A lot of these novels are considered modern classics and have become deeply imbedded in our culture. From the term “catch 22” to “big brother,” from Holden Caulfield to Lolita, it’s hard to imagine a world these books did not help shape. But while these books have been canonized, they have also been consistently challenged, and sometimes even banned. In this blog, we’ll take a closer look at a few of the novels commonly read in high school classes, and why they became so controversial.

Published in 1951, Catcher in the Rye is J.D. Salinger’s most famous work. Its teenage narrator, Holden Caulfield, spends three days alone in New York City after getting kicked out of four schools in a row. His adventures in NYC include flirting with 30-year-old women, watching a man in an adjacent hotel room put on an evening gown and even calling up a woman he’d never met but who (he’d heard) used to be a stripper, believing he can convince her to sleep with him (he doesn’t). The novel deals with issues of identity, sexuality and alienation, something most—if not all—teenagers deal with, so it makes perfect sense that it is taught in high schools. However, the book has been challenged almost from the day it was published. Reasons for challenging the book include (but certainly are not limited to) Holden’s profanity, blasphemy and sexual references. The book has also been challenged on the grounds that Holden is a poor role model for teenagers (he drinks, smokes and lies) and the belief that the book encourages rebellion. In 1960, a teacher in Oklahoma was fired for assigning the book (the teacher appealed and was later reinstated, but the book was removed from use in the school). Since then, it has been challenged, removed from reading lists and even banned in schools across the country, even as recently as 2009. Interestingly, in 1981, Catcher in the Rye was the most censored book in America as well as the second most frequently taught novel in public schools.

Another favorite amongst high school teachers is Lord of the Flies, written by William Golding in 1954. The story revolves around a group of young, well-educated boys who become stranded on an uninhabited island. The boys elect a leader, Ralph, and try to govern themselves, but eventually regress to a more primitive state. Issues in the book revolve around human nature, individual wellbeing vs. common good and the fight between groupthink and individuality. The book placed on both the Modern Library 100 Best Novels list (#25 on the readers’ list and #41 on the editors’) as well as Time magazine’s 100 best English language novels 1923-2005. However, due mostly to the violence and profanity, it also placed #68 on the American Library Association’s list of 100 most frequently challenged books of 1990-99. In 1981 it was challenged in a North Carolina high school because the novel is “demoralizing inasmuch as it implies that man is little more than an animal.” Since then, it has been challenged in schools from Arizona to New York.

I’m going to end this blog on a personal favorite of mine, Slaughterhouse-Five, written by Kurt Vonnegut. Written in 1969, it follows the adventures of Billy Pilgrim, a time-traveler and WWII soldier. Billy is taken prisoner by the Germans and placed with other POWs in a rundown slaughterhouse. He becomes “unstuck” in time, living his life experiences in a nonlinear sequence. He is abducted by aliens who place him in a zoo with a female. These aliens, from the planet Tralfamadore, have already seen and know every instant of their lives. They believe they cannot change their fates but can instead choose to focus on any given moment of their lives. Billy becomes convinced. The novel explores free will and fate, and the illogical nature of humans. Vonnegut also explores fatalism. The book has been the target of several censorship attempts, due to its tone and allegedly obscene content. In 1973, members of the board of Drake High School in North Dakota burned 32 copies of the book because they found it “objectionable.” Vonnegut himself wrote a letter to the board a month later, stating that the book burning was “extraordinarily insulting.” He goes on to say,

“If you were to bother to read my books, to behave as educated persons would, you would learn that they are not sexy, and do not argue in favor of wildness of any kind. They beg that people be kinder and more responsible than they often are. It is true that some of the characters speak coarsely. That is because people speak coarsely in real life. Especially soldiers and hardworking men speak coarsely, and even our most sheltered children know that. And we all know, too, that those words really don’t damage children much. They didn’t damage us when we were young. It was evil deeds and lying that hurt us.”

The book has also been challenged in over 15 schools or towns across the country, despite being ranked 18th on the Modern Library list of top books of the 20th century. It is also considered Vonnegut’s most influential work.

While these books, and countless others, have been challenged or banned, they persevere because of the universal truths they speak about human nature. I hope that schools will continue to teach them, and others like them, for years to come. And even if you’re one of the few students who managed to get through high school without reading a few controversial books, it’s never too late.

Want to learn more? Check out the following links:
http://www.lettersofnote.com/2012/03/i-am-very-real.html?kilgore
http://www.ala.org/advocacy/banned/frequentlychallenged/challengedclassics/reasonsbanned
http://www.modernlibrary.com/top-100/100-best-novels/

Laura Hyman

Censorship

If there is a bedrock principle underlying the First Amendment, it is that the government may not prohibit the expression of an idea simply because society finds the idea itself offensive or disagreeable.”—Supreme Court Justice William J. Brennan, Jr., in Texas vs. Johnson

I’ve mentioned in a previous blog how my childhood home was always overrun with books, so it’s not hard to imagine that my parents strongly encouraged me and my siblings to read. And no book was off-limits. My mom even told me, once I was older, that she didn’t really care what we were reading, as long as we were reading. In my house, unlike many other places in America, there were no banned books.

The written word has been subject to censorship almost as long as the two have existed. Books are often banned because of perceived obscenity, ranging from sexuality to issues of race.

In 1872, a woman named Victoria Woodhull published an account of an affair between prominent preacher Henry Ward Beecher and one of his parishioners. Anthony Comstock, of New York, acquired a copy under a fake name and then proceeded to have Woodhull arrested on obscenity charges. Not longer after, he became the head of the New York Society for the Suppression of Vice (what a name), and in 1873 they succeeded in getting a federal obscenity law passed. This law, called the Comstock Act, allowed warrantless searches of mail for obscene material.

Picking through people’s mail wasn’t the only form of censorship going on in America. In 1922, James Joyce’s novel Ulysses was banned from publication in the United States because of sexual content, including a masturbation scene. Over a decade later, in 1933, Joyce’s American publishers at Random House tried to import a few hundred copies of the French edition. The books were seized at Customs, and the United States brought forward a case against the book itself. During the subsequent trial, United States vs. One Book Called Ulysses, Judge John Woolsey said that the novel’s author was honest in his story telling, and to fail to sincerely get into the character’s heads would have been “artistically inexcusable.” Woolsey established artistic merit as a defense against obscenity. When Random House published 100 copies in 1934, it became the first legal printing of the novel in an English-speaking country. Joyce is now considered one of the most prominent authors of the 20th century.

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Social Networking for Writers

Emily Dickinson daguerreotype
(Above) Daguerreotype of the poet Emily Dickinson, taken circa 1848. (Restored version.) From the Todd-Bingham Picture Collection and Family Papers, Yale University Manuscripts & Archives Digital Images Database, Yale University, New Haven, Connecticut.

“Just jogged for an hour, for the first time in my whole life. Honestly not as bad as I thought it was going to be. Also not as fast.” Neil Gaiman, Twitter post

“I must pass along a critical warning: gazing too long into the publishing industry is like dropping a fistful of acid and then staring into a backed-up toilet for days. You will starve and go mad.” —Chuck Wendig, 25 Things Writers Should Know About Social Media

Writers have a reputation of being loners, recluses or, at best, at least somewhat socially inept. Just think of Emily Dickinson—who hardly left her room in her later years and conducted most of her friendships through correspondence—or J.D. Salinger, who didn’t give an interview in the thirty years between 1980 and his death in 2010. And even those writers who weren’t known for their isolation tended to be friends with other writers, such as Allen Ginsberg and other authors of the Beat generation.

All writers, no matter their level of experience or fame, need some sort of external support system. Whether they like it or not, they also need a way to market their work. Modern online social networking gives an introvert many ways to connect to people without ever leaving the house.

Neil Gaiman, author of “Coraline” and “The Graveyard Book,” is an avid Tweeter, even using it to crowd-source ideas for a songwriting project he was involved with called 8 in 8 (the project, which he worked on with his musician wife Amanda Palmer and Ben Folds, is worth a look). Other famous Tweeting authors include Armistead Maupin, author of the “Tales of the City” series, and Chuck Palahniuk.

Social networking isn’t just for established authors trying to connect to their audience, however. There are a multitude of websites (see a few linked below) where writers can connect, chat about grammar, swap plotlines or get critiques, and discuss the hardships of writing.

Whereas authors and poets used to gather in cafes or bars to talk about their art, a lot of us are gathering online, in discussion groups and chatrooms. We no longer need to leave the house to get the support we need to become better writers. For what it’s worth, I think Dickinson would have loved the internet.

If you’re interested in expanding your social network as a writer, here are some links to get you started:

25 Things Writers Should Know About Social Media
http://www.writerscafe.org
http://litlist.net

What are some of your favorite networking websites, or ways to use social sites, for writers?

Laura Hyman

Bookshelf Love


(Above) Wade Davis’s Writing studio.  Used by permission of Alex Johnson.

Even when e-books conquer the bookselling market, there will always be something ineffable about the old fashioned variety of bookshelf.  Imagine Belle’s response had the Beast—instead of wooing her with a library any young bibliophile would fantasize about—pulled out his Nook for her to browse through.

When I was a kid, I remember the house always overflowing with books. They were stacked on end tables, the desk in the kitchen, and the built-in bookshelves in the living room. I always thought it somewhat serendipitous that my mother, a lover and collector of books, ended up in a house with built-in bookshelves in nearly every room. Now it’s twenty years later, my parents’ house is still overflowing with books, and whenever I visit I pore over the rows of books, reading each and every spine.

Even though the e-book market is growing, I don’t believe I will see the demise of hardcopy books in my lifetime, so bookshelves will live on. And no matter what your preference, there is a bookshelf out there for you.

Get your bookshelf fix at these websites:

http://bookshelves.tumblr.com/
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www.bookshelfporn.com
http://theblogonthebookshelf.blogspot.com/

Laura Hyman